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Sunday 16 November 2008

the Mayan city of Uxmal and the ruta Puuc


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We thought that after Chichen Itza, the other Mayan cities would be tasteless, passed over in silence. That was without counting on the elegant city of Uxmal. Admittedly, the game ball doesn't reach the proportions of its elder sister and the main pyramid impresses less but the interest is elsewhere. We find again the gorgeous blend of a nature which embellishes this kind of archaeological remains. Not too much intertwined roots to let the stone breathe which the sun gently ricochet off. But enough foliage to clear away the impression of a theme park creating from nothing. The iguanas run onto the unstable white bricks. We can go round a wall and triumphantly come out through the main gate which looks over the main square. At the bottom of the park, a long staircase drives us to the top. We look back and the previous buildings we just stepped on settle down below. The greatest ones tear the greenish ceiling wallpapered by the foliage of the canopy. A fabulous view Chichen Itza didn't offer to us. That's the way that Uxmal wins the elegance contest beyond dispute.

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And to complete our Mayan collection, a scenic road made of curves cut in the forest links other small undervalued sites which are worth the trip. Kabah, Sayil, Labna or more south, Edzna sound like the elementary particles of one of the most glorious civilizations of the humanity.

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We leave the north of the Yucatan peninsula to head for a third land of Mayan remnants nestled into the Chiapas state, Palenque. The hostel which welcomes us for the night belongs to the coast town of Champoton; nothing exciting but heavy pelicans which have a go at an elegance exercise, perched on wooden blocks.

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Wednesday 29 October 2008

pedestrian pleasure on the Kalalau trail


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I live the scramble of Honolulu to go to Lihue, main town of the Kauai island the local people and travel agencies generally nickname the garden Isle. As soon as I get out the airport I hold my thumb up to request a helping person to stop. I cover 50 miles by hitchhiking to reach the Kee beach at the north. Impossible to go further by car, the asphalt ribbon fades at the foot of the Na Pali cliffs; the next sides and coves, it's with the strength of the calves we have to explore them. The last host, who kindly takes me at the back of his pick-up, gives pieces of advice about the trek while I fasten my backpack.
It's late in the afternoon and I won't go further than the first campsite, the Hanakapiai beach, a little bit more than one hour from the beginning of the path. The low-key and soothing place would make the camping of the south of France green with envy. I lay down my tent near the river and near the beach at the same time. A luxury I savour sitting on a rock, the eyes drown into the ocean. A wonderful sunset intertwined with oceanic rumbles and invigorating sliding of freshwater. The name of this beach comes from a upstream waterfall. A narrow path drives me to this water stream, a private show I intensely enjoy.

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I hastily take down my tent. I put again my bag onto the back and step on the red-earth track which snakes towards the heights. The Hanakapiai beach looms downhill and the cliffs, built into the volcanic rock, weave the theater of my next hours of walking. A demanding hike where the stretches of flat ground don't exist to leave a clear way to exhausting ascents and staggering and slippery descents. Clung to this wild nature, my steps carefully go ahead on the ledge of the cliff while a jaw of foam roars at its feet. More I move forward and more the coves and promontories seem to follow on endlessly.
A strip of sand shyly stands in the distance, that's Kalalau beach, final point of the trek. But, as I trudge over the last crimson-clay mound, I can't go further. I put down my backpack; the beauty of the volcanic ridges draped on the cliff gives me the sensation of flying. A torrent of colours kissed by the setting sun. a green cover tops the black rock which overlooks the surroundings. The red earth which supports my steps dies down a pebble beach, wet by an azure-blue water dotted with milky-dressed rollers. The carpet of ochre sand at the end of the path waits for me. The tiredness vanished into the air while I start again my walk on this blessed soil. I undo my shoes and finish the last meters gliding bare-feet on this damp sand.

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For three days, I live in this shangri-la with only a dozen of lucky people. An evening, the urge to sleep inside the cave is too tempting and I abandon my tent for a night to be even closer to the nature. In the morning I peer the beach, the tent disappeared! The incredibly powerful nocturnal waves overstepped the dune and swept my canvas shelter away, it finally finished its trip at the font of the cliff. Getting the tent out of the sand, rinsing it out and making it dry occupy my morning. My feet dig furrows into the ground to find the pegs. Damages are minor with a waterlogged travel guide and MP3 player out of order. These incidents don't make the happiness to be here weaken. But each moment of joy as intense and overwhelming it is collapses into a more or less painful and appaling end. In the morning of the fourth day, I restack my stuffs and start again. 6 hour of a demanding walk when I unfold the scenario in the opposite direction. As I hike out the path, I see others trekkers who enjoyed the same emotions among the Na Pali cliffs. We chat, forgetting the time. The dusk comes faster than I had imagined and homeless for the night, I settle under a table in a public park. A star-free night but spangled with colourful sequences of the marvelous Kalalau trail.

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Sunday 31 August 2008

the smokes of mounts Bromo and Semeru


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Since I landed in Bali, a postcard-like picture constantly comes back to the point of haunting my curiosity. A curiosity that changed into an obsessional desire which would be defined as following: it it would appear to be a chaotic piling up of several perfectly-proportioned volcanoes set down an imposing caldeira. The ground of this caldeira would be covered by a sea of sand and fumaroles would rend its airs. To round off the dream, an ocean of clouds would encircle this cauldron the rising sun would stroke with its benevolent rays. I lived this dream.
The caldeira is called Tengger and the volcanic protagonists, Bromo, Batok, Kursi and Semeru. The nature within its complete and utter splendour. Departure from the village of Semero Lewang, we get up at 4 o'clock and walk down the caldeira. We tread on the sea of sand in the misty night up to the base of the Bromo. 253 steps complete this short stroll and hurl us onto the ridge of the crater. The dawn clears up the dark haze and the first shapes loom. We have left the Earth for an express journey to the moon. We walk around the crater which continually ejects its noxious fumes. In the distance, the Semeru splutters at regular intervals. A cotton-wool-like cloud which leaks from the tormented bowels of the Earth. Our loop ends in front of the staircase. Unique human-print appearance in a land that is not dedicated to him.

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After experiencing the volcanic activity from inside, it's this postcard-like panorama described and admired so many times we want to reach. A very goal as soon as we wake up it summarizes with this short sentence: « be at the sunrise from the Penanjakan ». From the top of this hill, the nature gives us a good surprise modeling a new form of magic. Visual perfection which overshadows all the other senses. For a few hours, our eyes soak in everything. Attempting to describe something indescribable. Engraving something impalpable. The mounts of the last day didn't move, just the view angle changed. And what we lived? A sensory blaze of glory.

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